In an alternate Victorian England where anthropomorphic lizard aliens from outer space are in control of the British monarchy, a young man named Orphan loses the love of his life in the crossfire between an anti-government revolutionary called the Bookman and Les Lizards, the name given to these strange lizard kings. The mystery deepens when, shortly after the death of his beloved, a blind beggar named Gilgamesh who Orphan often confided in disappears as well. The Bookman is essentially the story of this young man’s struggle to track down the Bookman and find a way to get his love back.
Angry Robot always seems to manage to put out books that generate significant interest on the strength of their book covers alone; novels like Beukes’ Zoo City and Dan Abnett’s Triumff would likely have never caught my eye if it weren’t for the absolute quality of the graphic design. Luckily, the strength of their literary output measures up to the perfection of their presentation. Lavie Tidhar is an extraordinarily talented writer, in terms not just of quality of storytelling but in pure prose; the writing in The Bookman is bordering on perfection. Even in the slower parts around the novel’s middle, the prose is consistently flawless and engaging.
It is easy to say that the first ten percent or so of the novel (leading up to the death of Lucy as detailed in the blurb) would be one of the strongest pieces of any science fiction or fantasy novel ever. The build-up of the story is picture perfect, with every word used to its absolute greatest possible output. If you are fortunate enough to have not read the blurb before hand (or in the case of this reviewer, not having read the blurb in long enough that I had no memory of it), the death of Lucy is an absolutely heart-breaking kick in the chest. Although perfection of the level achieved in the early chapters of The Bookman is hard to keep up, the novel as a whole turns out to be a wonderful steampunk adventure.
Victorian London has the tendency to be a bit of a dry setting; it has been done and done before by writers of all stripes since the era was actually current. It seems to be some kind of literary cultural obsession to remember fondly back to days that no one currently around was alive for, but Tidhar does it better than anyone in The Bookman. His lizard-led steampunk re-imagining of Victorian England is the perfect setting for adventure, and luckily a world he revisits in future novels.
There is a lot to say about the strengths of the book that would spoil too much, so to summarize: brilliantly written, strong characters, wonderful world, and an engaging story make for a novel that is absolutely a must-read despite a middle third that could have used a bit more excitement. Although the book uses borrows some other characters from fiction a la The League of Extraordinary Gentlemen, The Bookman is far superior to that graphic novel series in execution. Here, the characters from Moby Dick, the various Sherlock Holmes tales, and otherwise, are used with much more restraint, but it makes the world of The Bookman feel much more its own. Absolutely a classic of the steampunk and alternate history genres.