Christopher Nolan and the rest of the creative team really dug themselves into a hole with The Dark Knight. They made quite possibly the greatest comic book movie of all time, featuring one of the brilliant performances in film history by the late Heath Ledger playing their character’s most compelling villain. Then they had to reconvene and write a third installment that would live up to the brilliance of its predecessor and close out their trilogy in a way that works. Although The Dark Knight Rises is not quite as good as The Dark Knight, it is by far the best super hero trilogy closer yet.
The Dark Knight Rises picks up eight years after The Dark Knight, a period during which Batman has disappeared and Bruce Wayne has become a recluse. Crime is almost non-existant in the city thanks to new laws inacted in Gotham City in honor of the late Harvey Dent, who is portrayed as a hero despite his fall. The relative peace of Gotham is destroyed with the coming of Bane, a terrorist leader hell-bent on annihilating Gotham under the false pretense of freeing it. Seemingly reluctantly involved is Catwoman, a woman named Selina Kyle who works as a thief to earn enough to get rid of the past she wants to get away from. With all of the trouble that starts to tear apart the city, Bruce Wayne comes out of his shell as Batman is forced to re-emerge.
There were two key issues based on the early information and trailers about the film that were the cause of most concern. The first of these is the casting of Anne Hathaway as Catwoman, which seemed suspect based on the scenes of her in action in the parts shown in the trailers. As it turns out, she very quickly proves that she is capable in the role, although not extraordinary. The second and most important concern was that Bane is a fairly boring villain after using both Two-Face and the Joker in the previous films, arguably the two most important villains in Batman’s canon. Bane is generally portrayed as a Mexican wrestler crossed with a ‘roid rager, and that doesn’t quite live up to the former District Attorney-turned-serial-killer of Two-Face or the Clown Prince of Crime. The film version is a signficant improvement over Bane’s depiction in the source material, but he is definitely not as charismatic or thrilling a villain as any of those previously shown in the series.
The biggest surprise of the movie is how much Joseph Gordon-Levitt’s storyline as young cop John Blake really made the movie. He is a very intelligent and capable cop, who in quieter times would obviously rise up in the ranks very quickly. It is hard not to be reminded of the idea of a young James Gordon in his absolute belief in the right thing, although we suspect Blake might even surpass Gordon in that respect. His relationship to Bruce Wayne and Batman in the film is a wonderful symbolism of what Batman as a figure means to all of the people in Gotham who don’t believe he was responsible for the death of Dent. Gordon-Levitt is outstanding in the role, and both Michael Caine and Morgan Freeman turn in their best performances in the trilogy for their parts as Alfred Pennyworth and Lucius Fox, respectively.
Despite the underwhelming villain, the plot of The Dark Knight Rises is outstanding and the build up to the finale is really well done. There are some really great twists that won’t be spoiled here but that upped the satisfaction level, despite at least one major one being far too heavily foreshadowed. A final judgement on a film of this scope really has to be made after repeated viewings, but it is at least a very good conclusion to the mythos. There is a lot to say from a comic book geek perspective in terms of things that seemed strange to leave out, or choices made in the end about certain characters, but these are qualms that probably wouldn’t even be noticed by someone without a familiarity with the source material. In the end, it is hard not to wish that a better villain than Bane had been chosen to close out the Nolan trilogy, but it is hard to complain about the film as a whole.